Your villain believes they're right
The best villains in fiction don't think of themselves as villains. They have a worldview. A logic. A set of values that, from inside their own perspective,…
Fantasy writer exploring the edges of storytelling
The best villains in fiction don't think of themselves as villains. They have a worldview. A logic. A set of values that, from inside their own perspective,…
There's a thrill in realising you've been lied to by the person telling you the story. When it clicked that the voice you trusted was pulling a fast one on…
Character deaths are powerful. They can be the emotional high point of a story — or they can feel cheap, manipulative, and pointless. The difference is in…
Film is a visual medium. This sounds obvious, but the implications for how you write a screenplay are profound. Everything in your screenplay must be visible.…
You started strong. The opening crackles with energy. The characters are vivid, the premise is gripping, the stakes are clear. Then you hit the middle, and…
Agency, in terms of character and plot, is something that has always been something of a mystery to me. So when my editor flagged that sometimes my characters…
There's a phase in every writer's development that almost nobody warns you about. Ira Glass described it better than anyone: > “All of us who do creative…
In prose, dialogue can meander. Characters can talk the way real people talk — with tangents, repetitions, verbal tics, circling around points before making…
Action scenes should be the exciting bits. So why are they so often boring on the page? The problem is, and it's one I learned the hard way, that what works…
I'm currently working with Jo Fletcher on my latest fantasy novel. Jo is a legend — one of the most respected editors in the genre, responsible for launching…