Screenplay structure: why film needs different architecture
You know three-act structure. Every screenwriting book starts there. But understanding why film stories are structured differently from novels matters more…
Fantasy writer exploring the edges of storytelling
You know three-act structure. Every screenwriting book starts there. But understanding why film stories are structured differently from novels matters more…
Every writer I know has felt it. The conviction that you don't belong. That the things you've written are fraudulent, or lucky, or about to be found out. That…
The best villains in fiction don't think of themselves as villains. They have a worldview. A logic. A set of values that, from inside their own perspective,…
I do like to tinker with building apps and websites, and it's been a while since I shared my recent efforts. Scribomatic I created an iOS app of the same name…
Character deaths are powerful. They can be the emotional high point of a story — or they can feel cheap, manipulative, and pointless. The difference is in…
You started strong. The opening crackles with energy. The characters are vivid, the premise is gripping, the stakes are clear. Then you hit the middle, and…
Agency, in terms of character and plot, is something that has always been something of a mystery to me. So when my editor flagged that sometimes my characters…
There's a phase in every writer's development that almost nobody warns you about. Ira Glass described it better than anyone: “All of us who do creative work,…
Action scenes should be the exciting bits. So why are they so often boring on the page? The problem is, and it's one I learned the hard way, that what works…
Pacing is invisible when it's working. You only notice it when something feels wrong — the story dragging, or rushing past moments that should have weight.…