Why your dialogue sounds fake (and how to fix it)
Dialogue is one of those things that feels like it should be easy. We all talk. We've been listening to conversations our entire life. How hard can it be to…
Fantasy writer exploring the edges of storytelling
Dialogue is one of those things that feels like it should be easy. We all talk. We've been listening to conversations our entire life. How hard can it be to…
There's a long-running debate in writing circles between “plotters” and “pantsers.” Plotters outline their stories in advance. Pantsers fly by the seat…
First chapters are hard. They're ones I always spend the most time worrying at. You're trying to do everything at once: establish character, set up the world,…
David Mamet — playwright, screenwriter, and famously direct writing teacher — articulated three questions that I now use constantly. Whenever a scene isn't…
Robert Rankin — the wonderfully strange author of *The Antipope* and *The Brentford Triangle* — once gave me a piece of advice that sounded like a joke but…
Every genre has its clichés. Patterns that once felt fresh, got repeated, and are now so worn that readers groan when they see them coming. Here are some SFF…
When you're stuck, force yourself to generate ten ideas. Not three. Not five. Ten. The first few will be obvious — the same tired solutions everyone reaches…
Quentin Tarantino had $1.2 million to make Reservoir Dogs. No money for elaborate heists, car chases, or fancy locations. So he did what every good filmmaker…
One thing I've really had to rely on while cutting the book down was the idea that your readers are smarter than you think. They don't need every connection…
Following on from yesterday's post on how I cut 45,000 words without losing my story, I've realised there's one more trick for getting your word-count down.…